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Stereo Mixing Techniques

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Jeff Towne3.23.16Thanks, as always, Flawn. An XLR-to-stereo mini cable can be wired so that each pin of the XLR routes directly to one section of the stereo mini jack, but that will send audio from your You’d be amazed what a difference just moving a track by one or two milliseconds can make. A pan pot only addresses the difference in level. have a peek here

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Mindset - Productivity - Workflow - TechniqueI hate spam as much as you How to Spot the Stereo Balancer The important aspect of this article is to realize that the Pan Knob doesn't give you any indication if it is functioning as a Pan It might not disappear completely in mono, but it changes character dramatically, and the balance of instruments is thrown off in an unpleasant way. Then highlight that track and select “Split into Mono” from the Track menu.

Stereo Mixing Techniques

XLR Pin 1 still goes to the shield, and Pin 3 also connects to the shield. If you have a dual channel meter ➍, then the Pan Knob functions as a Stereo Balancer ➋. Try shaving off just a touch of high end on the delayed sound as well to replicate the effect your head creates as it masks some of the sound.Another trick for Much appreciated!

How to submit your work Contact us Podcasts Transom HowSound / Download Share Facebook Twitter Google+ Send to Email Address Your Name Your Email Address Cancel Post was not sent - Hope my "convoluted" reply helps. Here is a diagram where I show a model that makes it easier to understand the functionality. Stereo Base Or try adding a very gentle mono chorus effect to only one side of a stereo track.

Out in the field, there's still one quick test you can do: if your recorder has a built-in speaker it's almost certainly in mono, so just try playing back your recording over that But there’s some good news here because in many cases, all one has to do is reverse the connections of all their speakers wires at one end only to correct the You will probably need to boost the level of that track about 3dB to maintain the same volume you had. This can be done in different ways depending on your audio editor.

On the right-hand side, do the reverse to the same frequency - ie, cutting the first layer and boosting the second. Stereo Bass Guitar Recording in Mono (XLR to unbalanced TR cable) on just one channel is not desirable as noise can't be cancelled out. Warnings aside, some of these plug-ins do sound great and can really add something to your mix. At this moment, you will hear the signal on the Stereo Output only coming out of the right speaker.

Mono Vs Stereo Difference

Then when I switch it back to stereo and pan everything out, it sounds much better, in my opinion, than if I had have done my EQing in stereo. http://www.resoundsound.com/mono-compatibility/ KEVIN March 3, 2017 | # Late 2013 mid spec MacBook pro with a Dell 24 inch monitor. Stereo Mixing Techniques If it sounds Okay, you're probably fine. How To Fix Phase Issues In A Mix But still this effect is really weak on my judjement when using front stereo speakers.

In order to send the audio from a single mono mic to both the right and left channels of the recorder, the cable should be wired so that the tip and When we consider mono compatibility we must fundamentally consider the phase relationships throughout the audio spectrum between the left and right channels of a stereo recording. Or something in between those two extremes. The word compatibility is partly subjective and partly technical and the ratio of technical to subjective balance has become somewhat of a moving target. How To Mix In Mono

Or perhaps when the recording is made, it sounds fine in headphones; the meters bounce normally. Sorry I couldn't be of more help =/ share|improve this answer answered Jun 7 '11 at 20:33 Utopia 10.8k43279 add a comment| up vote 3 down vote Well one method is Alternatively, try using a Mid-Side micing technique. Even subtle amounts of shifting will do the trick.

I think Rick decided that he didn't want things suddenly blasting from the left channel on this record. Cristofer Odqvist Making Sound Pdf I created special diagrams in my book to demystify even this slightly more complex topic so it is very easy to understand - once and for all. the effect would only really be in full force when wearing headphones, but even through stereo speakers the perspective should be as close as you would hope to achieve with other

All of this takes place within the larger ecosystem where XLRs, TRS and TS quarter inch, and TRS mini plugs are used for many different purposes that require different wiring schemes

I've written two monographs that go into great detail about the problem at: http://www.AbsolutePolarity.com and http://www.PolarityGeorge.com . And yes it happens way too much. For a mono balanced cable, the wiring should be: Tip = audio +, Ring = audio -, and Sleeve = ground. Snare Mono Or Stereo The improper use of that cable is an operator error.

These will often have algorithms that filter out the effect on the lower frequencies, minimizing the smearing that can occur in the lows. The sound from a single mono microphone, recorded in-phase on a stereo track (or a mono track panned to the center) will appear to be perfectly in the center of the Exactly what you need is binaural spatial position effect. You just determine out of what speakers Stereo: When the guitar player uses a stereo delay (like a ping pong effect) to alternate each delay between hard left and hard right

A few examples of potentially mono systems are national and commercial FM radio in weak reception areas (a receiver can sometimes automatically sum to mono to give a clearer less noisey It's a bit infuriating to wait 4- 5 seconds for the switch. In a pinch, use either the right or left channel of your production, not both, and mix to mono. This will affect the characteristics of the sound in relation to time.

I will discuss the option ➍ and ➎ in the Surround chapter of my book "Logic Pro X - The Details". Thanks. Yet when you play it back on the recorder's built-in speaker, there's nothing there.